Wednesday, May 31, 2006














Bats kept surging out, and soon four columns stretched miles across the sky. A few strays looped and fed near us, passing like shuttles through the weave of the trees. The night was noticeably free of insects, but that was no surprise. These bats would eat five thousand pounds of insects that one night alone. -Diane Ackerman, The Moon by Whale Light

Imagine if, in Samuel Beckett’s play, Godot actually did come – and he was just a regular guy. This, for Slavoj Zizek, encapsulates the difference between modernism and postmodernism. (3) The procedures of modernism correspond to that period of capitalism in which the subject that was supposedly constitutive of society was fragmented, reified, isolated from others by the very rationality it had set in motion. So, the key figure in modernism is the absent centre, the emptiness that enables any social structure but which, at the same time, cannot be found within it: everything revolves around the moment that Godot will come, but he never does. Postmodernism, on the other hand, occurs when the subject is imploded into the technological network. Long ago, the entire public world became available on the television in the formerly private home, and now everyone walks around with a cell phone, an iPod and a laptop in a laptop bag, with a different brand-name emblazoned boldly upon every article of clothing. Baudrillard describes this as “obscenity”, when the subject is struck with “too great a proximity of everything” (4). Postmodernism, then, is a matter of overwhelming presence; that is, an obscene, dull intimacy with the object(s) that defines the system.--Asad Haider. A student at Cornell University, he serves popcorn at the Cornell Cinema

Tuesday, May 23, 2006


“A stapler with its tiny fangs
Cannot outwit orangutangs.
Rocks are very good at sitting,
but never walk or take up knitting.
Living things all feel and sense
their way through every happenstance."
--Diane Ackerman, Animal Sense